The best example is Hysteria from Def Leppard. Of cause their were a few exceptions, but most of the bands and albums of this period suffer of a poor production with Moog synth and drum computers and bands with teased hair and stupid outfits. After amazing and influential records in the first half of the 80s the period from 85-90 was hard to stand. Uli Hassinger: Seems that I'm the only one not digging the album.įirst, I have to mention that I'm a big fan of the grunge movement. While they continue to provoke disparate views with their subsequent releases, it is to their great credit that they have endured to become the elder statesmen of the grunge movement. It is, however, food for thought that while they avoided the sophomore slump, they would in many peoples' eyes succumb to the 'difficult third album' on the divisive and disjointed Vitalogy, from which they would never regain the universal acclaim they had on these iconic opening two statements. Like its predecessor, from a songwriting perspective there isn't a weak moment on here. saw them in more contemplative, Neil Young-inspired territory. When analysing the songs, what is immediate about Vs is that, with frontman Eddie Vedder taking a more central role this time, they went both harder and more melodic this time around, with the opening one-two punch of Go and Animal flying out of the starting blocks, while the acoustic driven sounds of Daughter and Elderly Woman. was a reaction to this, displaying a slightly more raw (but no less accessible) production which really brings out the best in the songs. While their seminal debut Ten is rightly regarded as one of the greatest debuts of the modern age, a vocal minority of detractors have lamented its polished sound (given credence by the fact the band remixed the tracks just over a decade later) and in many respects, Vs. In Pearl Jam's case, there was no such concern and, like many before them, from Led Zeppelin and Black Sabbath to Metallica and Alice in Chains, they produced a second album that would not only match their debut, but would cement their legacy as one of the greatest rock bands of the decade. Many have wondered what might have been, had the likes of Montrose, Asia, The Stone Roses and many others capitalised on their legendary debuts. Far superior to the debut, and everything that followed.Ĭhris Downie: The fabled 'sophomore slump' is a peril that has befallen many talented bands throughout the history of recorded music and even derailed many a promising career. Iain Macaulay: The only Pearl Jam album I still listen to. Now it's one of my favourite albums, because that damn Alpaca kept calling my name. I thought to myself "wtf?"īut it's one of those albums that keeps wanting you to put it on again, like it knows you missed something.and you had. It still can draw me in ( Black is a favourite). But the turmoil is balanced by occasional moments of reflection, efforts to make sense of a confusing panorama – most notably, the R.E.M.-like Elderly Woman Behind the Counter in a Small Town. It’s a pressure cooker heated by personal and societal wrongs-incest, child abuse, cops beating blacks. "The Seattle quintet remains rock’s voice of dysfunction, tapping a deep reservoir of pain and rage. Better still, he's a big force without bullshit he bellows doubt." ( Rolling Stone) With his Brando brooding and complicated, tortured masculinity, he's something we haven't seen in a while a heroic figure. Terrific players with catholic tastes, they also serve up singer-lyricist Eddie Vedder. "Few American bands have arrived more clearly talented than this one did with Ten and Vs. The band consciously strives for spontaneity, admirably pushing itself into new territory - some numbers are decidedly punky, and there are also a couple of acoustic-driven ballads, which are well suited to Vedder's sonorous low register." ( AllMusic) "It's a much rawer, looser record than Ten, feeling like a live performance Vedder practically screams himself hoarse on a few songs.
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